Back to Hannibal: The Return of Tom Sawyer and Huckleberry Finn
21st Oct 90
⭐61.00%
: 3
The Seed of the Sacred Fig
18th Sep 24
⭐75.52%
: 6
Return
21st Mar 24
⭐60.00%
: 0
Return
4th Sep 75
⭐70.00%
: 2
Escaping the Madhouse: The Nellie Bly Story
6th Jan 19
⭐74.52%
: 5
Okay! (The ASD Band Film)
29th Apr 22
⭐61.00%
: 0
Tu Jhoothi Main Makkaar
8th Mar 23
⭐62.98%
: 1
Mektoub, My Love: Canto Uno
21st Mar 18
⭐67.00%
: 4
RETURN
7th Nov 24
⭐72.00%
: 0
The Five Venoms
12th Aug 78
⭐67.00%
: 4
Money Trap
1st Feb 19
⭐57.00%
: 1
Death Al Dente: A Gourmet Detective Mystery
9th Oct 16
⭐68.64%
: 4
Fight
1st Jan 73
⭐65.00%
: 1
Create with Love ❤️ by Zaw Myint
No Casts
Swan’s Island
⭐100.00% /
1st Jan 05 /
Katy Martin paints directly on her skin, and uses her whole body to make marks with the paint. Bill Brand frames the action and its trace, in the process, linking painting and cinema. Swan's Island explores gesture in painting, and how it relates to the hand held camera. The film creates abstractions from the glistening blue paint that in turn evoke a seascape or a distant, yet intimate place. In its choreography, Swan's Island is a duet. The painted figure occupies space, and the camera describes that space. The person filming and the person filmed are moving as one, and yet they are separate, each an island. Seeing and being seen are inextricably bound with emotions of love and loss, longing and a sense of place.