Projota - AMADMOL (A Milenar Arte de Meter o Louco)
1st Oct 17
⭐61.00%
: 0
Moscow
4th Sep 00
⭐63.00%
: 3
WAR
3rd Nov 23
⭐94.00%
: 0
Infrared Dreams
13th Mar 20
⭐62.00%
: 0
Tommy Tiernan: OK Baby
17th Nov 07
⭐82.00%
: 2
Test
1st Jan 16
⭐74.00%
: 0
Czechoslovak Architecture 58–89
7th Nov 24
⭐60.00%
: 2
Keka
20th Aug 03
⭐72.00%
: 3
People
21st Jun 21
⭐78.00%
: 1
Mask the Kekkou: Reborn
2nd Jun 12
⭐82.00%
: 2
Change
10th Sep 20
⭐94.00%
: 0
Call of the Cuckoo
15th Oct 27
⭐57.00%
: 0
Chainsaw Man – The Compilation Part II
5th Sep 25
⭐80.00%
: 2
Create with Love ❤️ by Zaw Myint
Video Villanelle (for distance)
⭐100.00% /
12th Oct 20 /
Gallagher weaves together an assemblage of films, creating a narrative through repetition. Documenting her experience caught between Athens and her new home in Northumberland, via a period of ‘uncertain waiting’ in the South East of England. Gallagher explores her sense of dislocation by organising footage from her phone into a visual villanelle, a poetic form with a strict rhyming structure and repeating lines. Footage shifts between presence and absence, movement and stasis. Between the sodium glow of the Athens street lights and the iconic bridges of the Tyne punctuated by sunsets and deluges of rain. Gallagher often draws attention to the overlooked, the ‘hidden in plain view’ aspects of life, questioning what we bear witness to and what we choose to ignore. Within the transitional period between lockdown and the easing of restrictions, Gallagher subtly explores emotional connections to home and place, considering what is outside and what we carry within.