How Viktor "The Garlic" Took Alexey "The Stud" to the Nursing Home
12th Oct 17
⭐70.00%
: 1
Star Wars
25th May 77
⭐82.05%
: 17
Anora
14th Oct 24
⭐70.49%
: 24
Hail, Caesar!
5th Feb 16
⭐59.27%
: 6
Whiplash
10th Oct 14
⭐83.76%
: 20
Parasite
30th May 19
⭐84.98%
: 19
Return of the Jedi
25th May 83
⭐79.05%
: 10
Coherence
19th Sep 13
⭐72.18%
: 9
Shaun of the Dead
9th Apr 04
⭐75.37%
: 7
Dune: Part Two
27th Feb 24
⭐81.37%
: 16
The Birds
28th Mar 63
⭐75.00%
: 5
Forrest Gump
23rd Jun 94
⭐84.66%
: 19
Empire of the Sun
9th Dec 87
⭐75.09%
: 4
Mad Max: Fury Road
13th May 15
⭐76.26%
: 13
The Fantastic 4: First Steps
23rd Jul 25
⭐72.00%
: 112
The Shining
23rd May 80
⭐82.10%
: 10
The Dark Knight Rises
17th Jul 12
⭐77.87%
: 19
The Yards
27th Apr 00
⭐62.06%
: 4
Beauty and the Beast
16th Mar 17
⭐70.00%
: 11
Beverly Hills Cop III
24th May 94
⭐59.00%
: 4
Create with Love ❤️ by Zaw Myint
David Axe
Himself
Comic Books Go to War
⭐60.00% /
14th Aug 10 /
Documentary
The universe of comic books is a worldwide pop mythology, a Pantheon in cheap newsprint and saturated colors. For almost 100 years comic books have provided fantasy, escape, and compensation for adolescents who often feel powerless and misunderstood in their daily lives. Fantasies of power are inevitably violent, but the violence in comic books has no consequences. After all, it's just the stroke of a pen... But what happens when the comic book meets real war? In this age of hundreds of television stations, 24-hour news, worldwide instantaneous satellite transmission and thousands of web sites updated hourly, the lowly comic book has become a documentary medium, providing a real understanding of the human dimensions of war, genocide and revolution. It's a new journalistic form. Comic Books Go To War explores the journalistic, aesthetic and political implications of reporting the most violent and terrible of human experiences through "comix."