How Viktor "The Garlic" Took Alexey "The Stud" to the Nursing Home
12th Oct 17
⭐70.00%
: 1
Joker
1st Oct 19
⭐81.33%
: 13
Oppenheimer
19th Jul 23
⭐80.50%
: 19
Dune
15th Sep 21
⭐77.78%
: 20
Back to the Future
3rd Jul 85
⭐83.21%
: 22
Memento
11th Oct 00
⭐81.78%
: 9
Into the Wild
21st Sep 07
⭐77.97%
: 9
Insidious
31st Mar 11
⭐69.42%
: 9
Forrest Gump
23rd Jun 94
⭐84.65%
: 18
The Matrix
31st Mar 99
⭐82.33%
: 19
Venom
28th Sep 18
⭐68.28%
: 12
The Avengers
25th Apr 12
⭐78.17%
: 43
Harry Potter and the Philosopher's Stone
16th Nov 01
⭐79.00%
: 34
The Shawshank Redemption
23rd Sep 94
⭐87.12%
: 33
The Evil Dead
15th Oct 81
⭐72.76%
: 7
Inglourious Basterds
2nd Aug 09
⭐82.15%
: 19
The Mule
14th Dec 18
⭐68.62%
: 4
Conclave
25th Oct 24
⭐72.05%
: 9
Knives Out
27th Nov 19
⭐78.43%
: 10
Interstellar
5th Nov 14
⭐84.61%
: 51
Create with Love ❤️ by Zaw Myint
Comic Books Go to War
⭐60.00% /
14th Aug 10 /
Documentary
The universe of comic books is a worldwide pop mythology, a Pantheon in cheap newsprint and saturated colors. For almost 100 years comic books have provided fantasy, escape, and compensation for adolescents who often feel powerless and misunderstood in their daily lives. Fantasies of power are inevitably violent, but the violence in comic books has no consequences. After all, it's just the stroke of a pen... But what happens when the comic book meets real war? In this age of hundreds of television stations, 24-hour news, worldwide instantaneous satellite transmission and thousands of web sites updated hourly, the lowly comic book has become a documentary medium, providing a real understanding of the human dimensions of war, genocide and revolution. It's a new journalistic form. Comic Books Go To War explores the journalistic, aesthetic and political implications of reporting the most violent and terrible of human experiences through "comix."