Death Angel - Sonic German Beatdown - Live in Germany
15th May 09
⭐62.27%
: 0
Bordertown: The Mural Murders
27th Oct 21
⭐66.24%
: 1
Midnight
30th Jun 21
⭐73.00%
: 5
Black Site
5th May 22
⭐61.00%
: 3
Sword of Destiny
30th Mar 21
⭐67.00%
: 1
One Shot
5th Nov 21
⭐67.00%
: 3
Black Dog
14th Jun 24
⭐72.88%
: 2
A Day to Die
4th Mar 22
⭐57.00%
: 2
Indemnity
11th Feb 22
⭐66.67%
: 1
Jungleland
6th Nov 20
⭐65.00%
: 2
Late Afternoon
8th Feb 19
⭐74.05%
: 0
The Price We Pay
13th Jan 23
⭐58.08%
: 2
National Family
28th Dec 23
⭐66.69%
: 1
A Dog Named Palma
18th Mar 21
⭐80.65%
: 2
Create with Love ❤️ by Zaw Myint
Carmen Louise Tibuliac
The drummer
Eliza B. Kozlowski
The metronome player
Brody Neuenschwander
The draughtsman
Picture
⭐80.00% /
7th Sep 15 /
Music
In early 2010 the Alloy Orchestra was commissioned an original score, based on a musical setting drawn on a 3-foot long sheet of squared notebook paper. Its operating principle was a fixed tempo - 60 beats per minute - to be strictly followed by the musicians throughout the piece. Within this grid, the performers were given complete freedom to determine the timbre, the volume and the sequence of themes to be chosen for their work. Two artists - a drummer and a draughtsman - listened to the recording of the music without any knowledge of the instructions provided for its creation. Unbeknownst to each other, both were given the task of playing along with their respective instruments: one with a drum in front of a camera, the other with pen, brushes, ink and colored pigments on 35mm film strips. The footage was assembled and edited in strict adherence to the criteria adopted for the music. The Alloy Orchestra was then asked to accompany the film with their own score