Unforgivable Blackness: The Rise and Fall of Jack Johnson
4th Sep 04
⭐71.00%
: 1
Projota - AMADMOL (A Milenar Arte de Meter o Louco)
1st Oct 17
⭐61.00%
: 0
The Man on Fire
1st May 23
⭐100.00%
: 0
A Maine Movie
11th Jun 18
⭐70.00%
: 5
Mickey's Safety Club: Street Safe, Street Smart
1st Sep 89
⭐93.00%
: 1
Dog Gone South
26th Aug 50
⭐66.00%
: 0
Gunpowder
25th Mar 85
⭐59.00%
: 1
Mustard Fields
18th Jan 25
⭐100.00%
: 2
The Perfect Bride: Wedding Bells
9th Jun 18
⭐65.00%
: 1
The Avenging Eagle
13th Sep 78
⭐74.86%
: 4
Spring '89
10th Oct 09
⭐72.00%
: 0
A Lure: Teen Fight Club
16th Nov 10
⭐71.00%
: 1
What's New, Scooby-Doo? Vol. 7: Ghosts on the Go!
7th Jun 06
⭐98.00%
: 1
National Theatre Live: Angels In America — Part Two: Perestroika
27th Jul 17
⭐86.00%
: 4
Enter the Anime
5th Aug 19
⭐53.00%
: 2
Generation '89 - Growing up in the year of change
12th Feb 15
⭐71.00%
: 0
Cine Gibi 7: Bagunça Animal
13th Sep 14
⭐70.00%
: 1
Asa
1st Jan 13
⭐64.00%
: 0
Create with Love ❤️ by Zaw Myint
Runtime
⭐80.00% /
23rd Jul 19 /
Horror
Conor Bateman has sliced clips from (mainly American) horror films in which a cinema audience is slain schlockily in a theatre – an overlooked, self-reflexive trope across the genre. In each sequence, the screen is masked out to reveal the prior sequence: each audience is successively watching the killings that we, the actual audience, have just seen. The onscreen audience never leaves the theatre – there’s nowhere else in this world beyond the cinema, and the scenes of entrapment and containment play out in similarly-framed spaces of chaos (what if what we watched onscreen leaked out?). Without a scrap of ideology-addled earnestness, the tone moves from playful to inevitable. Like a game, it all loops together in an oddly fun, self-sustaining spiral of dramatic irony.