Projota - AMADMOL (A Milenar Arte de Meter o Louco)
1st Oct 17
⭐61.00%
: 1
Barbie in 'A Christmas Carol'
3rd Nov 08
⭐71.55%
: 3
Cats Don't Dance
26th Mar 97
⭐72.03%
: 1
Alvin and the Chipmunks: The Squeakquel
21st Dec 09
⭐56.00%
: 6
Barbie and the Magic of Pegasus
4th Oct 05
⭐72.16%
: 4
Barbie in A Mermaid Tale 2
22nd Feb 12
⭐70.66%
: 5
Q
8th Sep 82
⭐57.20%
: 3
Barbie: The Pearl Princess
15th Feb 14
⭐69.90%
: 2
Asterix vs. Caesar
6th Mar 85
⭐65.29%
: 3
Barbie: Princess Charm School
11th Aug 11
⭐75.05%
: 8
Naruto Shippuden the Movie: Blood Prison
30th Jul 11
⭐72.09%
: 8
The Next 365 Days
18th Aug 22
⭐64.00%
: 20
Naruto to Boruto: The Live 2019
5th Oct 19
⭐74.50%
: 1
Create with Love ❤️ by Zaw Myint
What She Said: The Art of Pauline Kael
⭐66.00% /
22nd Mar 19 /
Documentary
Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.